
Kimono Cabinet Reproduction
An accurate reproduction of a tiny leaded, enamelled, glass panel which was originally inserted in a wooden “kimono” cabinet, now on display in the Hill House in Helensburgh (NTS).
I first became aware of Charles Rennie Mackintosh in 1978, when I studied portrait painting at the Glasgow School of Art for one Year. Following that, from 1979 – 83, I studied BAhons in Fine Art & Design (Stained Glass) at the GSA under Alf Avella. At that time, Mackintosh was not nearly as widely known nor appreciated as he is today.
Since going freelance, and particularly since my collaboration with Rob MacInnes (Cannon-MacInnes Stained Glass, 1997 – 2017), my personal understanding and experience of working with Mackintosh’s glasswork has grown enormously.
We have worked together on House for an Art Lover, Windyhill House, the Willow Tea Room Trust, Glasgow School of Art, the Huntartian Art Gallery and Glasgow Museums and Art Gallery.

An accurate reproduction of a tiny leaded, enamelled, glass panel which was originally inserted in a wooden “kimono” cabinet, now on display in the Hill House in Helensburgh (NTS).

A series of three, new-design, leaded glass windows, based on the work of Charles Rennie Mackintosh. For a private residence in St Andrews, Fife.

Conservation and Restoration of Charles Rennie Mackintosh’s original Willow Tea Room, 1903, Glasgow

Recreation of leaded glass panels from the Koch Portfolio drawings.